Lost Ball
A little ball rolls away. Look, discover, and tell the story of finding it again.
STORY COLLECTION
Picture stories without words, so every child can tell them their own way. Look closely, talk about what you see and build the story together.
Without printed text, the pictures carry the story. Children can join in before they read, describe what they notice and try out new words while an adult models language. Each pack also includes a short-text version with one possible telling.
Browse the scenes of Lost Ball one at a time.
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A little ball rolls away. Look, discover, and tell the story of finding it again.
Pack a basket, find a spot, share a picnic, and leave the park tidy.
A bright painting is still wet. Sam spots a smear, finds a place to let the paper dry, and decides what to do next.
Jo and Noor turn an empty box into a pretend boat, test a sail, and change their design when it tips.
Lina plants a large seed with an adult, notices changes across several days, and finds a tiny shoot.
Omar wants to return a borrowed book. A librarian helps him find the right place, and he chooses another story.
Tess finds one mitten, follows a clue near the coat, and discovers its partner in a basket.
A busy park sound interrupts a picnic. Nia shows that she wants a change, and her family helps her find a quieter place.
A toy bus needs to cross a pretend river. Ben and Imani try a paper bridge, notice a bend, and build a stronger support.
Kai and Ava plan an outdoor game. Rain arrives, so they compare ideas, try an indoor version, and make room to play together.
Milo and Ruby carry a picture invitation to a neighbor. Wind sends it into a bush, so they ask an adult, recover it, and protect it for the rest of the trip.
Omar starts in a new classroom. A picture schedule, a hook of his own and a 'play together' card help him through saying goodbye, a tricky moment with the blocks, and missing home until pick-up.
Kai and his grandma visit the dentist. He tries the chair first, agrees a stop signal, uses it when the water straw is too loud, and finishes when he is ready.
Jo's cup tower falls and Jo thinks Noor did it, but readers can see the puppy's tail. A mix-up, time apart, a new clue, and a cup offered as a way to make up.
In the supermarket, Lina wanders toward the pinwheels and loses sight of Grandma. She stops, looks around, finds a worker in a green apron, shows her card and waits at the help desk until Grandma comes.
Nia's family moves house. She packs her star night light last, finds the new room strange at night, goes to Dad for help and finds the light in her star box. In the morning she says hello to the new home.
With no printed words, your questions do the work that text usually does. Climb the ladder slowly, from what is on the page to what the child thinks and feels. Wait after each question: pointing or a gesture is a full answer.
Name what is in the picture: people, objects, places and actions.
“What do you see? Where are they?”
Read feelings and reasons from faces, bodies and small details.
“How does she feel? What makes you think so?”
Pause before the next picture and guess what comes next.
“What will happen now? How do you know?”
Link the story to the child’s own life and ideas.
“Has this ever happened to you? What would you do?”
When a child says “ball”, answer with a slightly longer version: “Yes, the ball rolled under the bench.” Repeating and adding one or two words shows the next step in language without correcting the child.
No decoding is needed, so pre-readers can lead the storytelling and practise the language they will later meet in print.
The pictures are the same in every language. Learners can tell the story in their home language first, then try key words in the new one.
Wordless stories ask children to produce their own sentences instead of repeating a text, which makes them useful for retelling, wh-questions and sentence building.
Everyone takes part at their own level, from naming one object to telling the whole story with because and so.
Every pack has the same story in two forms. The wordless version leaves the telling to the child. The short-text version offers one simple way to say it, with a short sentence for each scene, for adults who want a model or children who are starting to read.
A good routine: share the wordless version first, tell it together, and only then compare it with the short text. Children often notice that their version is longer or different, which is a great place to start a conversation. Picture cards for putting the story in order are included too.
A wordless picture book tells its story only through illustrations. Readers describe the pictures and create the words themselves, so adults and children can share it at any reading level.
Talking about pictures invites children to name, describe, explain and predict. Adults can model new words and sentences while children take part by pointing, gesturing or speaking.
Yes. No reading is needed. The short-text version is optional, for adults or for children who are starting to read.
Look through all the pictures once, then go back and talk about each one. Ask open questions, give time to answer and add a few words to what the child says. There is no single right story; the goal is to talk together.
Many speech-language therapists use them because the child produces the language instead of repeating a text. They suit narrative retell, wh-questions, describing and sentence building. Start with a short story and add length as confidence grows.
Yes. The pictures make the meaning clear, so learners can focus on a few new words and short sentences. Telling the story in the home language first is a help, not a step backwards.
They work the same way, but each story also comes as cut-out picture cards and a short-text version, in seven languages. You can talk about it, put it in order and retell it with the same set of pictures.